Helen Lineberry: Notes for an Art History — Part 5

Pictured above on the left is a portrait Helen made of her husband, Albert Lineberry Sr. believed to be made with ink and gouache on paper. On the right is a photograph taken of Helen as new mother in Asheville, NC. By the 1950s, another vector of critical debate is signaled in portraiture: namely, Helen’sContinue reading “Helen Lineberry: Notes for an Art History — Part 5”

Helen Lineberry: Notes for an Art History – Part 2

In high school during the Great Depression, Helen Lineberry (then Helen Howerton) took classes at the WPA art center in Asheville, NC. While we know a great deal in general about the WPA (Works Progress Administration) program established under the Roosevelt, I have yet to find a great deal about this particular art center inContinue reading “Helen Lineberry: Notes for an Art History – Part 2”

Helen Lineberry: Notes for an Art History – Part 1

As you’ll notice in my introductory post, my thesis work incorporates imagery derived from the 1929 drawings created by a 10-year-old Helen Lineberry (then Helen Howerton), who also happened to be my grandmother. These images were incorporated from an ongoing project which sought to aggregate and develop the legacy of Helen Lineberry’s lifetime of artworkContinue reading “Helen Lineberry: Notes for an Art History – Part 1”

Southern Architecture, Beverly Buchanan, and William Christenberry

In graduate school I began to reckon more with the specters of homophobia in the Southern architectures. Above are but two examples. The Krispy Kreme in Winston-Salem, North Carolina (the first of the donut chain in the nation) has been rumored by local gay lore to have been a popular cruising site in the mid-to-latterContinue reading “Southern Architecture, Beverly Buchanan, and William Christenberry”

“You Got to Move” — Appalachian Folk Schools

Education in the U.S. mountain South has long been a terrain of state neglect. Adopting the “folk school” model from Denmark and other Scandinavian countries for American purposes, ground-up education by and for the people living in so-called Appalachia marks a particular set of contributions toward social and political change. One notable folk school, HighlanderContinue reading ““You Got to Move” — Appalachian Folk Schools”

“Blue Ridge, Lavender Marks” — Revisiting Warhol’s Photographs in the Turchin Center’s Permanent Collection

Kinstitutional Critique – Part 3

I continue to re-trace steps from my graduate thesis exhibition and accompanying paper. This post was going to focus on the rhetorical arguments which conjoin legacies of “critiquable” art institutions (which gave rise to institutional critique as a practice) and the family-as-institution from an Enlightenment genealogy. Maybe it’s more important that you know it existsContinue reading “Kinstitutional Critique – Part 3”

Introduction

Hi there! Welcome to the inaugural post of my blog ❤ Blogs may seem retrograde but I think that makes it the perfect amount of pressure. One can also stretch their legs a bit more. I just finished my MFA in May and am eager to share what I’m making and processing. Some of myContinue reading “Introduction”