Helen Lineberry: Notes for an Art History — Part 5

Pictured above on the left is a portrait Helen made of her husband, Albert Lineberry Sr. believed to be made with ink and gouache on paper. On the right is a photograph taken of Helen as new mother in Asheville, NC. By the 1950s, another vector of critical debate is signaled in portraiture: namely, Helen’sContinue reading “Helen Lineberry: Notes for an Art History — Part 5”

Helen Lineberry: Notes for an Art History – Part 2

In high school during the Great Depression, Helen Lineberry (then Helen Howerton) took classes at the WPA art center in Asheville, NC. While we know a great deal in general about the WPA (Works Progress Administration) program established under the Roosevelt, I have yet to find a great deal about this particular art center inContinue reading “Helen Lineberry: Notes for an Art History – Part 2”

Kinstitutional Critique – Part 3

I continue to re-trace steps from my graduate thesis exhibition and accompanying paper. This post was going to focus on the rhetorical arguments which conjoin legacies of “critiquable” art institutions (which gave rise to institutional critique as a practice) and the family-as-institution from an Enlightenment genealogy. Maybe it’s more important that you know it existsContinue reading “Kinstitutional Critique – Part 3”

Kinstitutional Critique – Part 2

To follow up on the last post, I think it’s worth noting what this idea of kinstitutional critique looks like in my own practice. Before adding kinship into the equation, my history certainly has petty attempts at institutional critique. One that has stuck around with me is titled “White Cube Roller Rink: A Leisurely ActContinue reading “Kinstitutional Critique – Part 2”

Kinstitutional Critique – Part 1

One of the first ideas I want to dig into in response to my thesis mentioned in my previous post is the notion of “kinstitutional critique.” For the uninitiated, this term plays on contemporary art strategies called institutional critique (IC), whereby artists critique the institutions which host creative and artistic practices and exhibitions such asContinue reading “Kinstitutional Critique – Part 1”

Introduction

Hi there! Welcome to the inaugural post of my blog ❤ Blogs may seem retrograde but I think that makes it the perfect amount of pressure. One can also stretch their legs a bit more. I just finished my MFA in May and am eager to share what I’m making and processing. Some of myContinue reading “Introduction”